Sex before gossip

Unabashedly, I am very happy that I discovered Carrie Bradshaw’s puns and witticisms before I jumped into the sex, drugs, and fashion-obsessed world of S&B on Gossip Girl. Imagine how I would’ve came out otherwise.

And I really do wish that this blog doesn’t cross paths with hopeful employers, I hope, I hope.

Speaking of employers, I am still in shackles and chains to the lovely corporation known as Barnes & Noble. Back at work, after a one-year hiatus (Is that really a hiatus or just a complete MIA?), N walks in and one of my co-workers, L, says accusingly, “You’re still with that guy?!” As if it’s been eons since I’ve last worked there and he last walked in.

PS. Remember this?

Themes explained

November 2008

Nota bene –> Latin phrase meaning “note well,” coming from notāre—to note. It is in the singular imperative mood, instructing one individual to note well the matter at hand. In present-day English, it is used to draw the attention of the reader to a certain (side) aspect or detail of the subject on hand, translating it as “pay attention” or “take notice”.

October 2008
Festina lente (or Hâtez-vous lentement in French) –> “Make haste slowly” or “Hurry slowly”
Do everything as fast as you can, as accurately as you can. In French, Hâtez-vous lentement appears especially in La Fontaine fable of the tortoise and the hare: “She is rushing slow.” Be conscious of the short-term and don’t forget about the long-term.

August-September 2008
sub rosa –> “under the rose”
“In secret”, “privately”, “confidentially” or “covertly”. In the Middle Ages, a rose was suspended from the ceiling of a council chamber to indicate that what was said in the “under the rose” was not to be repeated outside. This practice originates in Greek mythology, where Aphrodite gave a rose to her son Eros, and he, in turn, gave it to Harpocrates, the god of silence, to ensure that his mother’s indiscretions—or those of the gods in general, in other accounts—were kept under wraps.

June-July 2008
ars [est] celare artem –> “art [is] to conceal art”
An aesthetic ideal that good art should appear natural rather than contrived.

Thanks, Wiki.

Familiarity and Pain

Seven weeks later, I finally had my appointment with Dr. Lee (My lovely jaw surgeon) to begin removing the wires–the splint will still be in for another week to gauge my bite and jaw alignment. This is familiar: Dr. Lee peering around in my mouth with some metal object. Familiarity is funny though, because sometimes the familiar still lingers in our subconscious somewhere and in turn, isn’t familiar to us at all. Well, my subconscious likes to smile in pain.

While he was removing the wires from the bottom-left side of my mouth (The part of the jaw that was rather difficult and stubborn during surgery), I cringed in a smile. Dr. Lee quickly apologized and loosened his grip on the wire and said, “Millie, you are very strange, you know. Most people respond to pain by screaming or something. You smiled. It’s okay to show pain.”

Wait a minute, this isn’t my therapist and he surely isn’t a psychologist. What’s going on here?

Pain is funny too. (I obviously need a thesaurus because funny cannot be my go-to adjective and it obviously does not describe familiarity nor pain!) Pain is discomfort, suffering, the bad stuff. If we’re not in discomfort, if we are not suffering, by our own standards and feelings, is that still pain?

My bottom lip and chin are still numb because some of the nerves were moved during the procedure and they have to reposition themselves to function again. Anyway, that’s beside the point–since being unwired, I’ve been unintentionally biting my lower lip and sometimes my brackets will get caught on my lip. I can’t feel it, but I can see it.

We’ve all heard of those rare cases where people can’t feel physical pain and they are a hazard to themselves for obvious reasons. This is similar, in a much smaller scale, of course. My lip is seeing some damage, but if I can’t feel it, does it matter?

A lot and I’m in charge!

Collectively, as a species, this [refers to a quip about relationships] is our emotional landscape. I met an old lady once, almost one hundred years old, and she told me, “There are only two questions that human beings have ever fought over, all through history. How much do you love me? And Who’s in charge?” Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief and suffering.

I need to let this one marinate for awhile.

A lot & I’m in charge.

Collectively, as a species, this [refers to a quip about relationships] is our emotional landscape. I met an old lady once, almost one hundred years old, and she told me, “There are only two questions that human beings have ever fought over, all through history. How much do you love me? And Who’s in charge?” Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief and suffering.

From Eat, Pray, Love.